Speculative Metal

  0. Introduction “Our work is structured like the Roman god Janus: facing both the past and the future.” HASJARL “Si Monvmentvm Reqvires, Circvmspice” is the link between the first Deathspell Omega and those to come from Kenose. This album is the bridge between that first style where the band pays tribute to the classics of the genre and the style that they will adopt from this release and for which they are famous within extreme metal, a very personal, very original style, of a quality that cannot be has been matched by no other band within the genre. The band deploys several resources here that will be the basis of their aesthetic from now on. This album is the farewell to the old style, and the herald of what is to come: the birth of a new sonic paradigm that will change the history of metal forever. 1. First Prayer The track consists of an extensive riff-arpeggio. It is one of Hasjarl's most original and striking characteristics on the guitar: performing long riffs with f...

 "...anything that was subject to the impermanence of its essence, its transitory nature, anything on the edge of extinction..."                                                                                                    My work is not finished yet, ,   Thomas Ligotti  Metallicum Proverbia -  Inat-se-Ragen Versículo 28: “ The past is umpredictable" " its depth is unfathomable ” FORWORD Between 1800 and 1850, the United Kingdom (and, above all, London), was responsible for almost half of the world's sulfur dioxide emissions. These emissions radically transformed the city's landscape, causing the haze of pollution to cover everything for hours and d...

In Chapter 1 of Liber Semitarum "Cosmic terror and cosmic longing", Relgneps Razalas establishes that: "In every artistic style there is an interaction of forces between the elements that make it up, between the primary symbols that are its essence and without which would not be identified. In the nature of each style are the conditions by which, at a given moment, these elements enter into crisis, by the mere fact of existing, producing a tension that is generally resolved. Thus, an episode of crisis remains as a momentary, partial, tangential tension that does not put at risk the form of the style or the primacy of its primary symbols." But this tension present in each style contains an indeterminate amount of potential energy, a manifestation of an energy of crisis . As Druj states in the Corpus Mutatio: "The style is only stable if the artists decide to use said potential or crisis energy with a view to resolving it without tenseing the situation, having...